If the Grand Prix d’Horlogerie de Genève awards the horological Oscars, then the more cerebral Prix Gaïa might be considered the horological Nobel Prize. Here, Elizabeth Doerr shares the interesting laureates announced in 2020.
The Musée International d’Horlogerie announces a new MIH watch, called into existence to help finance ongoing museum projects as well as raise public awareness for safeguarding horological heritage and to promote the expertise of regional watchmakers. This surprising timepiece takes its direct inspiration from the museum building itself, a product of Brutalist architecture.
Now celebrating its twenty-fifth year, the 2018 Gaïa Awards have honored three outstanding individuals in the world of watchmaking: MB&F’s Maximilian Büsser, Reinhard Meis, and Bovet’s Paul Clementi.
In 1985, Svend Andersen and Vincent Calabrese founded the AHCI: Académie Horlogère des Créateurs Indépendants. The aim was to help independent watchmakers survive at a time when large brands and quartz watches were dominating the horological world. In 1985 very few people even knew that there was such a thing as independent watchmaking, as advertising and exhibitions (of which there were very few) were far too expensive for them to participate in. Today, 30 years later, the AHCI boasts 35 members and four candidates. Not bad for an organization I once described as “like herding cats.”
“This is, of course, the most important watch museum in the world,” Ludwig Oechslin says unapologetically as I sit across from him with my steaming cup of espresso during a jovial chat in the museum’s conference room. If there is one thing Oechslin does, he tells it like he sees it.